Benutzer:MYR67/Artikelwerkstatt Peter Elfelt

Peter Elfelt war ein dänischer Fotograf. Kopenhagen, Kgl. Hoffotograf, Stereoskopien, hat im deutsch-dänischen Krieg von 1864 fotografiert

ACHTUNG! Als Lebensdaten von Peter Elfelt werden meist 1866 bis 1931 angegeben. Wenn das stimmt, kann er nicht die in den Wikimedia Commons enthaltenen Stereo-Bilder im deutsch-dänischen Krieg von 1864 aufgenommen haben, denn da war er noch gar nicht geboren. Seltsam ist, dass die Adresse der Stereobilder aus dem deutsch-dänischen Krieg – nämlich: „Stereoskop-Galleri“, Kjøbmagergade 64, Kopenhagen – mit der Adresse des zwei Jahre nach dem deutsch-dänischen Krieg geborenen Peter Elfelt übereinstimmt.

Der 1866 geborenen dänische Filmpionier Peter Elfelt hieß eigentlich Peter Lars Petersen. Nur mal so, als Verdacht: Könnte es sein, dass der Filmpionier Peter Lars Petersen nicht nur das Studio, sondern auch den (Marken-)Namen seines Vorgängers Peter Elfelt übernommen hat?

Adresse: Kjøbmagergade 64, Kopenhagen. „Stereoskop-Galleri“

"Peter Elfelt" Stereoskop-Galleri Kjøbmagergade 64 Kopenhagen

Rohstoffe und Zettelkasten

Peter Elfelt, Kopenhagen, Kgl. Hoffotograf, Stereoskopien,

• https://historyofworldphotography.weebly.com/peter-elfelt.html
• https://www.fotohistorie.com/elfelt-peter-l-petersen-kbh.html

Web-Links, Personen-Normdaten etc.

• https://commons.wikimedia.org/wiki/File:Kriget_1864a.jpg
• https://commons.wikimedia.org/wiki/File:Kriget_1864b.jpg
• https://commons.wikimedia.org/wiki/File:I_S%C3%B8nderborg_Ruiner_1864.jpg

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• https://filmcentralen.dk/museum/danmark-paa-film/tema/peter-elfelt-danmarks-filmpioner Dies muss ein anderer Peter Elfelt sein, denn dieser hat von 1866-1931 gelebt, ist also erst zwei Jahr nach dem Ende des deutsch-dänischen Kriegs geboren worden
• https://en.wikipedia.org/wiki/Peter_Elfelt Dies ist ebenfalls der 1866 geborenen Filmpionier, der eigentlich Peter Lars Petersen hieß

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But in Denmark, the closest thing that came to social documentary photography were the photographs taken of the slum quarters in Copenhagen before the redevelopment at the turn of the century by people like Frits Bentzen, and the photographs Peter Elfelt, photographer to the king, took of social outcasts in the Copenhagen street life. These, however, were mass produced and sold as commercial postcards, and many of the unfortunates were brought into the studio and photographed away from their surroundings.

• Jannie Uhre Ejstrud, „Denmark“, S. 410/411, S.411 in: John Hannavy (Hrsg.), Encyclopedia of Nineteenth-Century Photography

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• Det Danske Filminstitut, „Peter Elfelt“, (auf Dänisch, Nicht-ASCI-Zeichen verunstaltet) https://archive.ph/20070906070234/http://dnfx.dfi.dk/pls/dnf/pwt.page_setup?p_pagename=dnfnavn&p_parmlist=navneid=129181

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• Dansk Biografisk Leksikon, „Peter Elfelt“, https://biografiskleksikon.lex.dk/Peter_Elfelt

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Peter Elfelt (1866–1931), who served his photography apprenticeship in 1893 in Hillerød with Carl Rathsack, soon opened a studio of his own together with his two brothers. His work was widely recognized with the result that, in 1900, he was given the title of Photographer to the Royal Danish Court. He took not only a large number of portraits but also landscapes across Denmark. He later became a major name in cinematography too.

Dänischer Fotograf Frederik Ferdinand Petersen wird unter: https://en.wikipedia.org/wiki/Photography_in_Denmark erwähnt

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Who ist who in Victorian Cinema, Peter Elfelt (Peter Lars Petersen) (1863-1931)

Danish photographer

Impressed by what he saw of the Lumière show at the Grand Café in 1896, Danish court photographer Peter Elfelt tried unsuccessfully to buy a Cinématographe. However he befriended Jules Carpentier, construtor of the first Cinématographes, and saw enough of the works to be able to take detailed plans back to Denmark, where a camera was construted for him by engineer Jens Poul Andersen (1844-1935). With this camera Elfelt shot the first Danish film, Kørsel Med Grønlandske Hunde (Driving with Greenland Dogs), at some time between December 1896 and January 1897. Despite its title the film was produced in a Copenhagen park. Over the next fifteen years Elfelt made over 200 films and for the first ten of those years he alone was responsible for all Danish film production. Elfelt chiefly produced filmed records of the famous, from royalty and politicians to sportsmen and composers, but also produced advertising and ballet films and his only (and Denmark's first) dramatic film, Henrettelsen (The Execution) in 1903. However, the production of film was always secondary to his main work as a photographer.

Luke McKernan, https://www.victorian-cinema.net/elfelt

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Louise Wolthers

DA FOTOGRAF PETER ELFELT “FØJEDE BILLEDET TIL HISTORIESKRIVNINGEN”, af Louise Wolthers, 41222-Artikeltekst-92522-1-10-20140519.pdf , FUND OG FORSKNING I DET KONGELIGE BIBLIOTEKS SAMLINGER Bind 48, 2009, KØBENHAVN 2009, UDGIVET AF DET KONGELIGE BIBLIOTEK