Benutzer:Yangchen00/Lu Yu-hsiu

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Wissenschaftlicher Lebenslauf

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geb. am 15.3.1963 in Tainan, Taiwan 1986 Bachelor of Arts (National Taiwan Normal University) 1987-1996 Studium an der Universität Wien: Musikwissenschaft (Schwerpunkt Vergleichend-systematische Musikwissenschaft) 1992 Mag. Phil. („Interpretationsstile der Pi-pa“) 1996 Dr. Phil. („Studien zur gesanglichen Stimmgebung der Beijing-Oper.“) 1998-2003 a. o. Univ. Prof. für Musikwissenschaft an der Soochow University in Taipei (Vollbeschäftigung) sowie teilbeschäftigt an anderen Universitäten wie z. B. Taiwan University. 2003 Habil. als o. Univ. Prof. Taiwan Yinyueshi (Musikgeschichte Taiwans). Taipei: Wunan. 2005 Organisation der internationalen Konferenz „The International Forum of Ethnomusicology in Taiwan--Interpretation and Evolvement of Musical Sound“. Proceedings: 2005 The International Forum of Ethnomusicology in Taiwan: Interpretation and Evolvement of Musical Sound Conference Proceedings. Yilan: Chuanyi Zhongxin. 2008-2016 Als “Chair Professor” am Zentralkonservatorium für Musik in Beijing, Abteilung Chinesische Musikgeschichte. 2011 Organisation des Forums „Geschichte der chinesischen Musikforschung“. Serie 1. Nationale Musikgeschichte. Akademischer Austausch. Intensive Feldforschung als Ethnomusicologin, Schwerpunkt Musik der Ureinwohner in Taiwan und Minoritäten in China, sowie die Fortentwicklung von Forschungsmethoden zur Musik in China der Zeit v. Chr., z.B. Rekonstruktion der Soundscape in der Prä-Qin Zeit auf der Basis von schriftlichen Dokumenten und Bildern.

Publikationen

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  • 1993 Yinyuexue shijian (Musicological Practice). Taizhong.
  • 1995 “Kann die ‘Kleine Stimme’ der Beijing-Oper mit einem Registerbegriff beschrieben werden?” Systematische Musikwissenschaft III/2:337-346.
  • 1999 „Die Konzeption einer Klangwelt in der klassischen chinesischen Gelehrtenmalerei“ Systematische Musikwissen Wissenschaft 6/1:87-93.
  • 2001 “Introduction, Aboriginal Music, Taiwan” (Gemeinsam mit Hsu, Tsang-Huoei), in New Grove Dictionary of Music and Musicians. London: Macmillam. Vol.25:1-7.
  • 2002 “taibei gugong bowuguan huihua zhong de yinyue yuxiang yanjiu”(Research of Music in Chinese Paintings held in the National Palace Museum, Taipei). Yinyue Tansuo 2(75):9-13.
  • 2003 Taiwan Yinyueshi (Musikgeschichte Taiwans). Taipei: Wu-nan Book Inc.
  • 2003 “nanguanqu de dunzuo – yi Cai Xiaoyue weili” (Dynamic of Nanguan Songs – A Case of Cai Xiaoyue). Zhanghua Yinwen 19:69-73.
  • 2003 “The Concept and Transcription of the Study in Ethnomusicology: Some Application Cases in the Aboriginal Music of Taiwan” Journal of Chinese Ritual, Theatre and Folklore 142:119-144.
  • 2003 Tao Melody (Documentary Film)(Producer). Finalist in the “2003 Taiwan International Ethnographic Film Festival”.
  • 2003 Music in Chinese Paintings held in the National Palace Museum (CD-ROM). Taipei: Soochow University.
  • 2004 Malan Makabahay – Sound from the Tribe of Falangaw Amis (CD) (Executive Director). Finalist in the “16th Golden Melody Awards - Traditional and Art Music”.
  • 2005 “dawuren yinyue gainian zhong de wenhua zheshe” (Cultural Reflection of Musical Ideas of the Tao Tribe). Journal of the Central Conservatory of Music, 99:23-28.
  • 2005 “Approach to Musical Praxis in Musical Instrument Museums”. Buowuguanxue jikan 19(4):123-129.
  • 2005 “Music Heritage of the Oral Tradition by Meykaryag of the Tao Tribe – 2. Logic of Lyrics and Music”, in: The International Forum of Ethnomusicology in Taiwan: Interpretation and Evolvement of Musical Sound Conference Proceedings. Yilan: Chuanyi Zhongxin, S. 266-283.
  • 2006 “dawu gehuizhong de yinyue xingwei” (The Musical Behaviors in Tao’s Singing Party). Journal of the Central Conservatory of Music, 102:38-42.
  • 2006 “zansong yu fenxiang. cong saixia and dawu kan yuanzhumin jieqing yinyue”(Festival Music of the Aboriginal Music of Saysiyat and Tao Tribes). Yuelan 80:12-16.
  • 2006 “liaorao wuai zhong de xuanlu: yuangzhumin gechang de shijieguan”(The World View in the Aborginal Songs). Yuelan 84:23-29.
  • 2007 “airen de huhuan – saixiazu yinyue de fengge yu tese” (Style and Character of the Saysiyat Music). Yuelan 96:57-61.
  • 2007 “The Musical Phenomenon and Social Context of Tao’s Anood (Ballad) in an Inaugural Ceremony”. Journal of Chinese Ritual, Theatre and Folklore 156:11-29.
  • 2007 “Faces of the Tradition - The Transmission of Musical Form and the Conceptualization of Tradition among Taiwan Aborigines”. Gemeinsam mit Sun Chun-Yen. Zhishan 2:21-42.
  • 2007 Lanyu Yinyue Yeyan - Dawuzude Paishou Gehui (Tao's Moonlight Concert. Singing Party with Handclapping). Gemeinsam mit Paul Knight. Mit einer CD ausgewählter Phasen. Taipei: SMC Publishing.
  • 2008 “Research on the Tao and Falangaw Amis Recordings Collected by Kotasato Takeshi and Asai Erin”. Formosan Journal of Music Research 6:1-30.
  • 2008 “The “Non-Equal Temperament” Phenomenon in the Music of Malan Amis”. Gemeinsam mit Wong Chi-wen, in Guandu Music Journal 8:133-144.
  • 2008 “Music and Dance of Taiwan’s Tao Tribe”, in Proceedings of the International Conference on Austronesian Music and Dance 2007. Taidong: Taidong wenhuaju, 17-28.
  • 2009 Yinyuexue Tansuo - Taiwan Yinue Yaniiu de Xinchangshi (Explorations in Musicology—New Trends of

Researching Musik in Taiwan). Taipei: Wu-nan Book Inc. 356S. ISBN 978-957-11-5663-7.

  • 2009/12 “Overlapping and Extending of the Time in Saysiyat Music”. Journal of Chinese Ritual, Theatre and Folklore 166: 125-140.
  • 2009 “Richness & Diversity Make Taiwan’s Music Stand Out”, in: Embracing Magnificence. Beauty of Taiwan Performing Arts. Taipei: The National Chiang Kai-Shek Cultural Center. S. 11-13.
  • 2009 “Zusammenfassung der Musikforschungen und der Musikaktivitäten in Taiwan im Jahr 2006”, in 2007 Jahresbuch der Musik China. Beijing: wenhua yishu. S. 419-433.
  • 2010 “Saysiyat, Puyuma, Amis”. 2009 Yearbook of Traditional Music in Taiwan. Yilan: Center of Music in Taiwan. S. 718-763.
  • 2010/1 “chuantong de yanxu huo bingqi – guanyu taiwan yuanzhumin de liuxing yinyue” (To Continue or Abandon the Tradition: A Study of the Popular Music of Taiwan's Aboriginal People). Journal of the Central Conservatory of Music, 46-50, 118.
  • 2010 “A Phenomenon or a Concept? The Polyphony of Aborigines in Taiwan”, in: The Fourth International Symposium on Traditional Polyphony. Tbilisi: Tbilisi State Conservatoire. S. 395-408.
  • 2011 A Rolling Age. Farmer's Songs in Malan (2CD mit Booklet und Postcards). Taitung: Chu-yin Culture and Arts Troupe. (Finalist in the 22th Melody Golden Awards –Traditional and Art music). ISBN 978-986-86948-0-4.
  • 2011 “Die Klangwelt der Ureinwohner Taiwans. Forschungsergebnisse und -möglichkeiten zur Klangfarbe”. Klangwelt. Frankfurt am Main: Peter Lang. 171-182.
  • 2012/1 “lun diyin shenmei – yi zangzu tongqin shengxiang weili” (The Taste of the Low Sound - A Case of the Sound of the Tibetan Instrument Dungchen). Journal of the Central Conservatory of Music, 18-27.
  • 2012/8 “xianqin yinyueshi yanjiude chuantong pianhao yu xinshijiao tuozhan – yi shenhuan yanjiu weili” (The Inclinations and New Vision Extension in the Researches on Pre-Qin Music History: Taking Mythology as an Example). People’s Music, 58-61。
  • 2012/4 “chongjian xianqin yinyueshi zhong de shengxiang kenengxing” (The Possibility of Reconstructing the Sound of the Music in the Pre-Qin Days [Before 211 BC]). Journal of the Central Conservatory of Music, 25-28, 68.
  • 2012 “Development of a New Polyphony Style - Case of the Taiwan Aborigines”, in: The Fifth International Symposium on Traditional Polyphony. Tbilisi: Tbilisi State Conservatoire. S. 77-83.
  • 2013 “Überblick über die Musik Taiwans im Jahr 2008”, in: 2009 Jahresbuch der Musik China. Beijing: wenhua yishu. S. 420-439.
  • 2013 baodao yinyue wenhua (Musikkultur Taiwans). Beijing: zhongyang yinyue xueyuan cbs.
  • 2013/4 “To Study on Tone Measurement Difficulties in Jiahu Bone Flutes”, in Formosan Journal of Music Research. 1-16. (zweite Author, mit Weng Chiwen )
  • 2013 Searching for Polyphony. Recollecting the Lost Old Songs of Taitung Amis (3 CDs+Booklet). (Best Traditional Album of 2014 Golden Melody Awards of Arts and Music) Miaoli: Miaoli Culture Studio.
  • 2014/3 “tuxiangzhong de yinyue shiliao yanjiu shijiao yu fangfa” (Research Aspects and Methods of Iconographic Materials in Music History). Journal of the Central Conservatory of Music, 90-94.
  • 2015/2 “yizu chihuocaoyan duichangzhong yaqiang de fuyin luoji tantao”(Exploring the Polyphonic Logics in the Response Singing (yaqiang) during ‘Pipe Smoking’ Events of the Yi Group), in Journal of the Central Conservatory of Music, 44-50, 68.

Editor

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  • 2005 2he International Forum of Ethnomusicology in Taiwan: Interpretation and Evolvement of Musical Sound Conference Proceedings. Yilan: Chuanyi Zhongxin.
  • 2008 Taiwan yinyue baike cishu (Enzyklopaedie der Musik Taiwans) (Editor des Teils „Ureinwohner)“. Taipei: Yuanliu.
  • 2009 Enzyklopeadie Taiwan (Datenbank) (Editor des Musik Teils). Taipei: zhihuicang

Übersetzung (Englisch → Chinesisch)

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  • 2014 Why do People Sing? Music in Human Evolution from Joseph Jordania, 2011. Shanghai: Shanghai Conservatory of Music cbs.


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