Schriftart |
Beispiel |
Serifen |
Gruppe nach DIN 16518 |
Gestalter |
Jahr |
Ursprünglicher Herausgeber
|
ABC Schule 1 CH |
 |
|
Handschriftliche Antiqua |
Hans Eduard Meier |
2002–08 |
Elsner+Flake
|
Adelle |
|
Serifen |
Serifenbetonte Linear-Antiqua |
Veronika Burian, José Scaglione |
2009 |
TypeTogether
|
Agenda |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Greg Thompson |
1993 |
Font Bureau
|
Akkurat |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Laurenz Brunner |
2004 |
Lineto
|
Akzidenz Grotesk |
 |
serifenlos |
Serifenlose Linear-Antiqua |
— |
1896 |
H. Berthold AG
|
Albany |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Monotype Design Studio |
1999 |
Agfa Monotype Corporation
|
Albertus |
 |
Serifen |
Antiqua-Variante |
Berthold Wolpe |
1932–40 |
Monotype Corporation
|
Alte Schwabacher |
 |
|
Gebrochene Schrift |
— |
ca. 1470 |
—
|
Alternate Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1903 |
ATF
|
American Typewriter |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Joel Kaden, Tony Stan |
1974 |
ITC
|
Amplitude |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Christian Schwartz |
2003 |
Font Bureau
|
AMS Euler |
 |
|
Handschriftliche Antiqua |
Hermann Zapf, Donald E. Knuth |
1983 |
American Mathematical Society
|
Andale Mono |
 Nichtproportionale Schriftart |
serifenlos |
Serifenlose Linear-Antiqua |
Steve Matteson |
1997 |
Monotype Corporation
|
Antique Olive |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Roger Excoffon |
1962 |
Fonderie Olive
|
Arabic Typesetting |
 |
|
Fremde Schriften |
Mamoun Sakkal, Paul Nelson, John Hudson |
2002 |
Microsoft
|
Arial |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Robin Nicholas, Patricia Saunders |
1982 |
Monotype Corporation
|
Arnhem |
 |
Serifen |
Barock-Antiqua |
Fred Smeijers |
1998 |
OurType
|
Arnold Böcklin |
 |
Serifen |
Antiqua-Variante |
Otto Weisert |
1904 |
Schriftgießerei Otto Weisert
|
Aster |
 |
Serifen |
Französische Renaissance-Antiqua |
Francesco Simoncini |
1958 |
Mecanorma
|
Avant Garde |
 |
serifenlos |
Serifenlose Linear-Antiqua
|
Herb Lubalin |
1970–77 |
ITC
|
Avenir |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Adrian Frutiger |
1988 |
Linotype
|
AwanZaman |
 |
|
Fremde Schriften |
Mamoun Sakkal |
2016 |
TypeTogether
|
Baby Teeth |
 Majuskelschrift |
serifenlos |
|
Milton Glaser |
1971 |
Photo-Lettering
|
Balloon |
 Majuskelschrift |
|
Handschriftliche Antiqua |
Max R. Kaufmann |
1939 |
ATF
|
Bank Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1930 |
ATF
|
Barmeno |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Hans Reichel |
1983 |
H. Berthold AG
|
Base |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Zuzana Licko |
1995 |
Emigre
|
Baskerville |
 |
Serifen |
Barock-Antiqua |
John Baskerville |
1754 |
—
|
Bauhaus |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Ed Benguiat, Victor Caruso |
1975 |
ITC
|
Bell Centennial |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Matthew Carter |
1976–78 |
Linotype
|
Bell Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Chauncey H. Griffith |
1938 |
Mergenthaler Linotype
|
Belladonna |
 |
Serifen |
Antiqua-Variante |
Hildegard Henning |
1912 |
Klinkhardt
|
Bello |
 |
|
Schreibschrift |
Underware |
2004 |
Underware
|
Bembo |
 |
Serifen |
Französische Renaissance-Antiqua |
Francesco Griffo |
1496 |
—
|
ITC Benguiat |
 |
Serifen |
Antiqua-Variante |
Ed Benguiat |
1977 |
ITC
|
ITC Benguiat Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Ed Benguiat |
1979 |
ITC
|
Benton Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Tobias Frere-Jones, Cyrus Highsmith |
1998–2008 |
Font Bureau
|
FF Beowolf |
 |
Serifen |
Französische Renaissance-Antiqua |
Erik van Blokland, Just van Rossum |
1990 |
FontFont
|
ITC Berkeley Oldstyle |
 |
Serifen |
Venezianische Renaissance-Antiqua |
Frederic W. Goudy, Tony Stan |
1938, 1983 |
ITC
|
Bernhard Modern |
 |
Serifen |
Barock-Antiqua |
Lucian Bernhard |
1937 |
ATF
|
Berthold Block |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Hermann Hoffmann |
1908 |
H. Berthold AG
|
Bickham Script |
 |
|
Schreibschrift |
Richard Lipton |
1997–2004 |
Adobe Type
|
Big Caslon |
 |
Serifen |
Barock-Antiqua |
Matthew Carter |
1994 |
Carter & Cone
|
FF Blur |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Neville Brody |
1992 |
FontFont
|
Bodoni |
 |
Serifen |
Klassizistische Antiqua |
Giambattista Bodoni |
1790 |
—
|
Bookman |
 |
Serifen |
Barock-Antiqua |
Alexander Phemister |
1858 |
Miller & Richard
|
Boton |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Albert Boton |
1986 |
H. Berthold AG
|
Brandon Grotesque |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Hannes von Döhren |
2010 |
HvD Fonts
|
Bree |
 |
serifenlos |
Antiqua-Variante |
Veronika Burian, José Scaglione |
2008 |
TypeTogether
|
Breitkopf-Fraktur |
 |
|
Gebrochene Schrift |
Johann Gottlob Immanuel Breitkopf |
1793 |
—
|
Britannic |
 |
serifenlos |
Antiqua-Variante |
Ludwig Wagner, Robert Arthur Schmidt |
1901 |
Stephenson Blake
|
Broadway |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1927 |
ATF
|
FF Brokenscript |
 |
|
Gebrochene Schrift |
Just van Rossum |
1991 |
FontFont
|
LL Brown |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Aurèle Sack |
2011 |
Lineto
|
Brush Script |
 |
|
Schreibschrift |
Robert E. Smith |
1942 |
ATF
|
Bureau Grot |
 |
serifenlos |
Serifenlose Linear-Antiqua |
David Berlow, Jill Pichotta, Christian Schwartz, Richard Lipton |
1989–2006 |
Font Bureau
|
Buttermilk |
— |
|
Schreibschrift |
Jessica Hische |
2009 |
Jessica Hische
|
Caflisch Script |
 |
|
Schreibschrift |
Robert Slimbach |
1993 |
Adobe Type
|
Cala |
 |
Serifen |
Venezianische Renaissance-Antiqua |
Dieter Hofrichter |
2011 |
Hoftype
|
Calibri |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Lucas de Groot |
2004, 2007 |
Microsoft
|
Cambria |
 |
Serifen |
Barock-Antiqua |
Jelle Bosma, Steve Matteson, Robin Nicholas |
2004 |
Microsoft
|
Candara |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Gary Munch |
2007 |
Microsoft
|
Cardo |
 |
Serifen |
Französische Renaissance-Antiqua |
David J. Perry |
2002 |
Fonts for Scholars
|
Carolina |
 |
Serifen |
Antiqua-Variante |
Gottfried Pott |
1991 |
Linotype
|
Cartier |
— |
Serifen |
Venezianische Renaissance-Antiqua |
Carl Dair |
1967 |
Linotype
|
Caslon |
 |
Serifen |
Barock-Antiqua |
William Caslon |
1722 |
—
|
FF Celeste |
 |
Serifen |
Barock-Antiqua |
Christopher Burke |
1995 |
FontFont
|
Centaur |
 |
Serifen |
Venezianische Renaissance-Antiqua |
Bruce Rogers |
1915 |
Monotype Corporation
|
Century Expanded |
— |
Serifen |
Klassizistische Antiqua |
Linn Boyd Benton, Morris Fuller Benton |
1900 |
ATF
|
Century Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Monotype Design Studio, Sol Hess, Morris Fuller Benton |
1991 |
Monotype Corporation
|
Century Schoolbook |
 |
Serifen |
Klassizistische Antiqua |
Morris Fuller Benton |
1919 |
ATF
|
P22 Cezanne |
 |
|
Schreibschrift |
Michael Want, James Grieshaber |
1995 |
P22
|
Chalet |
 |
serifenlos |
Serifenlose Linear-Antiqua |
House Industries |
1996 |
House Industries
|
Charcoal |
 |
serifenlos |
Serifenlose Linear-Antiqua |
David Berlow |
1995 |
Apple
|
Charis SIL |
|
Serifen |
Barock-Antiqua |
Matthew Carter, SIL International |
1987–2006 |
SIL International
|
Charter |
 |
Serifen |
Barock-Antiqua |
Matthew Carter |
1987 |
Bitstream
|
Cheltenham |
 |
Serifen |
Barock-Antiqua |
Hannibal Ingalls Kimball, Bertram Grosvenor Goodhue |
1896–1901 |
Cheltenham Press
|
Chicago |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Susan Kare |
1983 |
Apple
|
LL Circular |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Laurenz Brunner |
2013 |
Lineto
|
FF Clan |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Lukasz Dziedzic |
2006–2008 |
FontFont
|
Clarendon |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Benjamin Fox |
1845 |
Fann Street Foundry
|
Claudius |
 |
|
Gebrochene Schrift |
Rudolf Koch |
1937 |
Gebr. Klingspor
|
Clearface |
 |
Serifen |
Barock-Antiqua |
Victor Caruso |
1978 |
ITC
|
FF Clifford |
 |
Serifen |
Französische Renaissance-Antiqua |
Akira Kobayashi |
1999 |
FontFont
|
Cochin |
 |
Serifen |
Barock-Antiqua |
Georges Peignot |
1912 |
Deberny & Peignot
|
Coline Extrême |
— |
Serifen |
Antiqua-Variante |
Émilie Rigaud |
2010 |
A is for…
|
Columna Solid |
 Majuskelschrift |
Serifen |
|
Max Caflisch |
1955 |
Linotype
|
Comic Sans MS |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Vincent Connare |
1994 |
Microsoft
|
Compacta |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Fred Lambert |
1963 |
Letraset
|
Compatil Letter |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Olaf Leu |
2001 |
Linotype
|
Computer Modern Roman |
 |
Serifen |
Klassizistische Antiqua |
Donald E. Knuth |
1986 |
Donald E. Knuth
|
Concorde |
 |
Serifen |
Barock-Antiqua |
Günter Gerhard Lange |
1969 |
H. Berthold AG
|
Consolas |
 Nichtproportionale Schriftart |
serifenlos |
|
Lucas de Groot |
2007 |
Microsoft
|
Constantia |
 |
Serifen |
Französische Renaissance-Antiqua |
John Hudson |
2005 |
Microsoft
|
Cooper Black |
 |
Serifen |
Französische Renaissance-Antiqua |
Oswald Bruce Cooper |
1921 |
Barnhart Brothers & Spindler
|
Copperplate Gothic |
 |
Serifen |
Antiqua-Variante |
Frederic W. Goudy |
1901–05 |
ATF
|
Corbel |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Jeremy Tankard |
2005 |
Microsoft
|
Corpid |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Lucas de Groot |
1997 |
LucasFonts
|
Corporate A |
 |
Serifen |
Barock-Antiqua |
Kurt Weidemann |
1985–89 |
URW Type Foundry
|
Courier |
 Nichtproportionale Schriftart |
Serifen |
Serifenbetonte Linear-Antiqua |
Howard Kettler |
1956 |
IBM
|
Curlz |
 |
|
Antiqua-Variante |
Steve Matteson, Carl Crossgrove |
1995 |
Agfa Monotype Corporation
|
Dalliance |
 |
|
Antiqua-Variante |
Frank Heine |
2000 |
Emigre
|
Davida |
— |
Serifen |
Antiqua-Variante |
Louis Minott |
1965 |
Visual Graphics Corporations
|
FF Dax |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Hans Reichel |
1995–97 |
FontFont
|
Dead History |
 |
Semi‑Serif |
|
P. Scott Makela |
1990 |
Emigre
|
DejaVu Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Štěpán Roh und andere |
2003 |
DejaVu-Fonts-Projekt
|
DejaVu Sans Mono |
 Nichtproportionale Schriftart |
serifenlos |
Serifenlose Linear-Antiqua |
Štěpán Roh und andere |
2003 |
DejaVu-Fonts-Projekt
|
Delphin |
 |
Serifen |
Antiqua-Variante |
Georg Trump |
1951–1955 |
C. E. Weber
|
HTF Didot |
— |
Serifen |
Klassizistische Antiqua |
Jonathan Hoefler |
1991 |
Hoefler & Frere-Jones
|
FF DIN |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Albert-Jan Pool |
1995 |
FontFont
|
DIN 1451 |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Ludwig Goller |
1926 |
DIN
|
Diotima |
— |
Serifen |
Antiqua-Variante |
Gudrun Zapf-von Hesse |
1951 |
D. Stempel
|
Dom Casual |
 |
|
Handschriftliche Antiqua |
Peter Dombrezian |
1952 |
ATF
|
Duc de Berry |
 |
|
Gebrochene Schrift |
Gottfried Pott |
1990 |
Linotype
|
FF Dynamoe |
— |
serifenlos |
|
Just van Rossum |
1992 |
FontFont
|
Eckmann |
 |
Serifen |
Antiqua-Variante |
Otto Eckmann |
1899 |
Rudhard’sche Gießerei
|
Element |
 |
|
Gebrochene Schrift |
Max Bittrof |
1933 |
Bauersche Gießerei
|
Elena |
 |
Serifen |
Französische Renaissance-Antiqua |
Nicole Dotin |
2010 |
Process Type Foundry
|
Elephant |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Gareth Hague |
1994 |
Alias
|
Englische Schreibschrift |
 |
|
Schreibschrift |
H. Berthold AG |
1970–72 |
H. Berthold AG
|
Engravers Old English |
 |
|
Gebrochene Schrift |
Morris Fuller Benton |
1901 |
ATF
|
Eras |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Albert Boton, Albert Hollenstein |
1976 |
ITC
|
Erbar-Grotesk |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Jakob Erbar |
1926 |
Ludwig & Mayer
|
Erhardt |
— |
Serifen |
Barock-Antiqua |
Monotype Design Studio |
1937 |
Monotype Corporation
|
FF Erikrighthand |
 |
|
Handschriftliche Antiqua |
Erik van Blokland |
1990 |
FontFont
|
FF Ernestine |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Nina Stössinger, Hrant Papazian |
2011 |
FontFont
|
Euclid Flex |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Swiss Typefaces |
2011 |
Swiss Typefaces
|
Eurostile |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Aldo Novarese |
1962 |
Nebiolo
|
Everson Mono |
 Nichtproportionale Schriftart |
serifenlos |
Serifenlose Linear-Antiqua |
Michael Everson |
1994 |
Evertype
|
Excelsior |
 |
Serifen |
Klassizistische Antiqua |
Chauncey H. Griffith |
1931 |
Mergenthaler Linotype
|
FF Fago |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Ole Schäfer |
2000 |
FontFont
|
Fairfield |
 |
Serifen |
Klassizistische Antiqua |
Rudolf Ruzicka |
1940 |
Linotype
|
Farnham |
 |
Serifen |
Klassizistische Antiqua |
Christian Schwartz |
2004 |
Font Bureau
|
Fedra Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Peter Biľak |
2002 |
Typotheque
|
Fedra Serif |
— |
Serifen |
Antiqua-Variante |
Peter Biľak |
2004 |
Typotheque
|
Fette Fraktur |
 |
|
Gebrochene Schrift |
Johann Christian Bauer |
ca. 1835 |
C. E. Weber
|
Figaro |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Monotype Design Studio |
1940 |
Monotype Corporation
|
Filosofia |
 |
Serifen |
Klassizistische Antiqua |
Zuzana Licko |
1996 |
Emigre
|
Fixed |
 Nichtproportionale Schriftart |
serifenlos |
|
— |
ca. 1980 |
X Window System
|
Fixedsys |
 Nichtproportionale Schriftart |
serifenlos |
|
— |
ca. 1985 |
Microsoft
|
Fleischmann |
 |
Serifen |
Barock-Antiqua |
Erhard Kaiser |
1997 |
DTL
|
Folio |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Walter Baum, Konrad Friedrich Bauer |
1956 |
H. Berthold AG
|
Formata |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Bernd Möllenstädt |
1984 |
H. Berthold AG
|
Formular |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Gayaneh Bagdasaryan, Vyacheslav Kirilenko |
2014 |
Brownfox
|
Founders Grotesk |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Kris Sowersby |
2010 |
Klim Type Foundry
|
Franklin Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1904 |
ATF
|
Friz Quadrata |
 |
Serifen |
Antiqua-Variante |
Ernst Friz |
1973 |
Visual Graphics Corporations
|
Frutiger |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Adrian Frutiger |
1975 |
D. Stempel
|
Futura |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Paul Renner |
1927 |
—
|
ITC Galliard |
 |
Serifen |
Französische Renaissance-Antiqua |
Matthew Carter |
1978 |
ITC
|
ITC Gamma |
 |
Serifen |
Barock-Antiqua |
Jovica Veljović |
1986 |
ITC
|
Garage Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Tobias Frere-Jones |
1992 |
Font Bureau
|
Garamond |
 |
Serifen |
Französische Renaissance-Antiqua |
Claude Garamond |
1530 |
—
|
Generis Simple |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Erik Faulhaber |
2006 |
Linotype
|
Geneva |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Susan Kare, Kris Holmes, Charles Bigelow |
1983 |
Apple
|
Gentium |
 |
Serifen |
Französische Renaissance-Antiqua |
Victor Gaultney |
2003 |
—
|
Geogrotesque |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Eduardo Manso |
2008 |
Emtype Foundry
|
Georgia |
 |
Serifen |
Barock-Antiqua |
Matthew Carter |
1996 |
Microsoft
|
Gill Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Eric Gill |
1928–30 |
Monotype Corporation
|
ITC Giovanni |
 |
Serifen |
Französische Renaissance-Antiqua |
Robert Slimbach |
1989 |
ITC
|
Glypha |
— |
Serifen |
Serifenbetonte Linear-Antiqua |
Adrian Frutiger |
1977 |
D. Stempel
|
Golden Type |
 |
Serifen |
Venezianische Renaissance-Antiqua |
William Morris |
1989 |
ITC
|
Gotham |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Jonathan Hoefler, Tobias Frere-Jones |
2000 |
Hoefler & Frere-Jones
|
Goudy Old Style |
 |
Serifen |
Französische Renaissance-Antiqua |
Frederic W. Goudy |
1915 |
ATF
|
Granjon |
 |
Serifen |
Französische Renaissance-Antiqua |
George W. Jones |
1924 |
Linotype
|
Graphik |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Christian Schwartz, Ilya Ruderman, Panos Haratzopoulos |
2009 |
Commercial Type
|
Guardi |
— |
Serifen |
Venezianische Renaissance-Antiqua |
Reinhard Haus |
1987 |
Linotype
|
Haettenschweiler |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Walter Haettenschweiler, Armin Haab |
1995 |
Microsoft
|
Halyard |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Joshua Darden |
2017 |
Darden Studio
|
Handel Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Don Handel |
Mitte der 1960er |
FotoStar
|
Harbour |
— |
Serifen |
Antiqua-Variante |
Gareth Hague |
1998 |
Alias
|
FF Harlem |
 |
serifenlos |
Antiqua-Variante |
Neville Brody |
1993 |
FontFont
|
Helvetica |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Max Miedinger |
1956 |
Haas’sche Schriftgiesserei
|
Herculanum |
 Majuskelschrift |
|
|
Adrian Frutiger |
1990 |
Linotype
|
Highway Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Public Roads Administration |
1945 |
Public Roads Administration
|
Hobo |
 |
serifenlos |
Antiqua-Variante |
Morris Fuller Benton |
1910 |
ATF
|
Hollandsche Mediæval |
 |
Serifen |
Venezianische Renaissance-Antiqua |
Sjoerd Hendrik de Roos |
1912 |
—
|
House Gothic 23 |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Tal Leming |
1995 |
House Industries
|
IBM Plex Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Mike Abbink u. a. |
2017 |
IBM
|
FF Info |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Erik Spiekermann |
1996 |
FontFont
|
Impact |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Geoffrey Lee |
1965 |
Monotype Corporation
|
Industria |
 |
serifenlos |
Antiqua-Variante |
Neville Brody |
1989 |
Linotype
|
Infini |
 |
serifenlos |
Antiqua-Variante |
Sandrine Nugue |
2015 |
Centre national des arts plastiques
|
Ingeborg |
 |
Serifen |
Klassizistische Antiqua |
Michael Hochleitner |
2009 |
Typejockeys
|
Interstate |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Tobias Frere-Jones |
1993–95 |
Font Bureau
|
Isonorm |
 |
serifenlos |
Serifenlose Linear-Antiqua |
ISO |
1980 |
—
|
Janson |
 |
Serifen |
Barock-Antiqua |
Nicolas Kis |
ca. 1670 |
—
|
Jenson |
 |
Serifen |
Venezianische Renaissance-Antiqua |
Nicolas Jenson |
ca. 1470 |
—
|
Jigsaw |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Johanna Biľak |
1999 |
Typotheque
|
Joanna |
 |
Serifen |
Barock-Antiqua |
Eric Gill |
1930 |
Monotype Corporation
|
FF Johannes G |
— |
|
Gebrochene Schrift |
Manfred Klein |
1991 |
FontFont
|
Johnston |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Edward Johnston, Eric Gill |
1916 |
—
|
Junicode |
 |
Serifen |
Französische Renaissance-Antiqua |
Peter S. Baker |
2006 |
University of Virginia
|
FF Justlefthand |
 |
|
Handschriftliche Antiqua |
Just van Rossum |
1990 |
FontFont
|
Kabel |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Rudolf Koch |
1927 |
Gebr. Klingspor
|
Kaufmann |
 |
|
Schreibschrift |
Max R. Kaufmann |
1936 |
ATF
|
Keedy Sans |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Jeffer Keedy |
1991 |
Emigre
|
Kennerley Old Style |
 |
Serifen |
Venezianische Renaissance-Antiqua |
Frederic W. Goudy |
1911 |
Monotype Corporation
|
Kettler |
 Nichtproportionale Schriftart |
Serifen |
|
Eric Olson |
2002 |
Process Type Foundry
|
Kievit |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Michael Abbink, Paul van der Laan |
1995–2001 |
FontFont
|
Klavika |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Eric Olson |
2004 |
Process Type Foundry
|
Knockout |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Jonathan Hoefler |
1990 |
Hoefler & Frere-Jones
|
FF Kosmik |
 |
serifenlos |
Antiqua-Variante |
Erik van Blokland |
1993 |
FontFont
|
Künstlerschreibschrift |
 |
|
Schreibschrift |
Schriftgießerei Stempel |
1902 |
D. Stempel
|
Laski Slab |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Paula Mastrangelo, Ramiro Espinoza |
2014 |
ReType
|
Legacy Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Ronald Arnholm |
1992 |
ITC
|
Legacy Serif |
 |
Serifen |
Venezianische Renaissance-Antiqua |
Ronald Arnholm |
1992 |
ITC
|
Legende |
— |
|
Antiqua-Variante |
Friedrich Hermann Ernst Schneidler |
1937 |
Bauersche Gießerei
|
Letter Gothic |
 Nichtproportionale Schriftart |
serifenlos |
Serifenlose Linear-Antiqua |
Roger Roberson |
1956 |
IBM
|
Lexicon |
 |
Serifen |
Französische Renaissance-Antiqua |
Bram de Does |
1992 |
TEFF
|
Liberation Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Steve Matteson |
2007 |
Ascender Corporation
|
Liberation Mono |
 Nichtproportionale Schriftart |
serifenlos |
|
Steve Matteson |
2007 |
Ascender Corporation
|
Liberation Serif |
 |
Serifen |
Französische Renaissance-Antiqua |
Steve Matteson |
2007 |
Ascender Corporation
|
Line |
— |
|
Schreibschrift |
Göran Söderström, Stefania Malmsten |
2013 |
Letters from Sweden
|
Linux Libertine |
 |
Serifen |
Französische Renaissance-Antiqua |
Libertine Open Fonts Projekt |
2003 |
Libertine Open Fonts Projekt
|
Literaturnaya |
— |
Serifen |
Fremde Schriften |
Anatolii Schtschukin |
späte 1930er |
Poligrafmasch
|
Lucida Bright |
 |
Serifen |
Barock-Antiqua |
Charles Bigelow, Kris Holmes |
1993 |
Monotype Corporation
|
Lucida Console |
 Nichtproportionale Schriftart |
serifenlos |
|
Charles Bigelow, Kris Holmes |
1993 |
Monotype Corporation
|
Lucida Handwriting |
 |
|
Schreibschrift |
Charles Bigelow, Kris Holmes |
1984–85 |
Monotype Corporation
|
Lucida Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Charles Bigelow, Kris Holmes |
1984–85 |
Monotype Corporation
|
Luthersche Fraktur |
— |
|
Gebrochene Schrift |
Linotype Design Studio |
1996 |
Linotype
|
Lydian |
— |
serifenlos |
Antiqua-Variante |
Warren Chappell |
1938 |
ATF
|
Lyon |
— |
Serifen |
Französische Renaissance-Antiqua |
Kai Bernau |
2010 |
Commercial Type
|
FF Mambo |
 |
Serifen |
Antiqua-Variante |
Val Fullard |
1992 |
FontFont
|
Mantinia |
 |
Serifen |
Französische Renaissance-Antiqua |
Matthew Carter |
1993 |
Carter & Cone
|
Marvin |
— |
serifenlos |
|
Michael Chave |
1969 |
Face Photosetting
|
Mason Serif |
 |
Serifen |
Französische Renaissance-Antiqua |
Jonathan Barnbrook |
1992 |
Emigre
|
Matrix |
 |
Serifen |
Barock-Antiqua |
Zuzana Licko |
1986 |
Emigre
|
Maxima |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Gert Wunderlich |
1970 |
Typoart
|
Melior |
 |
Serifen |
Klassizistische Antiqua |
Hermann Zapf |
1952 |
D. Stempel
|
Memphis |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Rudolf Wolf |
1929–36 |
D. Stempel
|
Mercury |
— |
Serifen |
Barock-Antiqua |
Jonathan Hoefler, Tobias Frere-Jones |
1996 |
Hoefler & Frere-Jones
|
Meridien |
 |
Serifen |
Französische Renaissance-Antiqua |
Adrian Frutiger |
1957 |
Deberny & Peignot
|
FF Meta |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Erik Spiekermann |
1984–91 |
FontFont
|
Metro |
 |
serifenlos |
Serifenlose Linear-Antiqua |
William Addison Dwiggins |
1927 |
Mergenthaler Linotype
|
Miller |
 |
Serifen |
Klassizistische Antiqua |
Matthew Carter |
1997 |
Carter & Cone
|
Minion |
 |
Serifen |
Französische Renaissance-Antiqua |
Robert Slimbach |
1990 |
Adobe Type
|
FF Mister K |
— |
|
Schreibschrift |
Julia Sysmäläinen |
2008 |
FontFont
|
Mistral |
 |
|
Schreibschrift |
Roger Excoffon |
1953 |
Fonderie Olive
|
Monaco |
 Nichtproportionale Schriftart |
serifenlos |
Serifenlose Linear-Antiqua |
Susan Kare, Kris Holmes, Charles Bigelow |
1983 |
Apple
|
Monotype Grotesque |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Frank Hinman Pierpont |
1926 |
Monotype Corporation
|
Montserrat |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Julieta Ulanovsky |
2011 |
Julieta Ulanovsky
|
Motter Ombra |
 |
serifenlos |
Antiqua-Variante |
Othmar Motter |
1972 |
H. Berthold AG
|
Mrs Eaves |
 |
Serifen |
Barock-Antiqua |
Zuzana Licko |
1996 |
Emigre
|
MS Sans Serif |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Microsoft |
1992 |
Microsoft
|
Myriad |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Robert Slimbach, Carol Twombly |
1992 |
Adobe Type
|
Myriad Tilt |
 |
serifenlos |
Antiqua-Variante |
Robert Slimbach, Carol Twombly |
1993 |
Adobe Type
|
National |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Kris Sowersby |
2004 |
Klim Type Foundry
|
National |
 |
|
Gebrochene Schrift |
Walter Höhnisch |
1934 |
Ludwig & Mayer
|
Neue Hammer Unziale |
 |
|
|
Victor Hammer, Linotype Design Studio |
1988 |
Linotype
|
Neutraface |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Christian Schwartz |
2002 |
House Industries
|
Neuzeit |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Wilhelm Pischner |
1928 |
D. Stempel
|
New Alphabet |
 |
serifenlos |
Antiqua-Variante |
Wim Crouwel |
1967 |
Foundry Types Ltd.
|
News Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Morris Fuller Benton |
1908 |
ATF
|
Nimrod |
— |
Serifen |
Klassizistische Antiqua |
Robin Nicholas |
1980 |
Monotype Corporation
|
Nitti |
 Nichtproportionale Schriftart |
serifenlos |
|
Pieter van Rosmalen |
2008 |
Bold Monday
|
Nobel |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Sjoerd de Roos |
1929 |
Amsterdam Schriftgießerei
|
ITC Novarese |
 |
Serifen |
Antiqua-Variante |
Aldo Novarese |
1978 |
Haas’sche Schriftgiesserei
|
Oakland |
 |
serifenlos |
Antiqua-Variante |
Zuzana Licko |
1985 |
Emigre
|
OCR-A |
 Nichtproportionale Schriftart |
serifenlos |
|
ATF |
1966 |
ATF
|
OCR-B |
 Nichtproportionale Schriftart |
serifenlos |
|
Adrian Frutiger |
1968 |
Monotype Corporation
|
Odile |
 |
Serifen |
Antiqua-Variante |
Sibylle Hagmann |
2006 |
Kontour
|
Officina Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Erik Spiekermann |
1990 |
ITC
|
Officina Serif |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Erik Spiekermann |
1990 |
ITC
|
Ondine |
 |
|
Handschriftliche Antiqua |
Adrian Frutiger |
1954 |
Deberny & Peignot
|
Optima |
 |
serifenlos |
Antiqua-Variante |
Hermann Zapf |
1952 |
D. Stempel
|
Oxford |
 |
|
Schreibschrift |
Arthur Baker |
1989 |
Alpha Omega
|
Palatino |
 |
Serifen |
Französische Renaissance-Antiqua |
Hermann Zapf |
1949 |
D. Stempel
|
Peignot |
 |
serifenlos |
Serifenlose Linear-Antiqua |
A. M. Cassandre |
1937 |
Deberny & Peignot
|
ITC Pioneer |
— |
serifenlos |
|
Ronné Bonder, Tom Carnase |
1970 |
ATF
|
Plantin |
 |
Serifen |
Französische Renaissance-Antiqua |
Fritz Stelzer |
1913 |
Monotype Corporation
|
Playbill |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Robert Harling |
1938 |
Stephenson Blake
|
Poliphilus |
 |
Serifen |
Französische Renaissance-Antiqua |
Francesco Griffo, Monotype Design Studio |
1499 |
Monotype Corporation
|
PMN Caecilia |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Peter Matthias Noordzij |
1990 |
Linotype
|
Pompeijana |
— Majuskelschrift |
|
|
Adrian Frutiger |
1992 |
Linotype
|
Populaire |
— |
|
Handschriftliche Antiqua |
Erica Jung, Ricardo Marcin |
2011 |
PintassilgoPrints
|
Post-Antiqua |
 |
|
Antiqua-Variante |
Herbert Post |
1932 |
H. Berthold AG
|
Potsdam |
 |
|
Gebrochene Schrift |
Robert Golpon |
1934 |
J. D. Trennert & Sohn
|
Prestige |
 Nichtproportionale Schriftart |
Serifen |
|
Clayton Smith |
1953 |
IBM
|
Proforma |
 |
Serifen |
Französische Renaissance-Antiqua |
Petr van Blokland |
1988 |
Font Bureau
|
Prokyon |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Erhard Kaiser |
2002 |
DTL
|
Product Sans |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Patrick Wong |
2015 |
Google Inc.
|
FF Providence |
 |
|
Antiqua-Variante |
Guy Jeffrey Nelson |
1994 |
FontFont
|
Proxima Nova |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Mark Simonson |
2005 |
Mark Simonson Studio
|
FF Quadraat |
 |
Serifen |
Französische Renaissance-Antiqua |
Fred Smeijers |
1992 |
FontFont
|
Quay Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
David Quay |
1990 |
ITC
|
Renault |
— |
Serifen |
Klassizistische Antiqua |
Wolff Olins |
1968 |
Renault
|
Reporter |
 |
|
Handschriftliche Antiqua |
Carlos Winkow |
1938 |
Gießerei Johannes Wagner
|
Retina |
 |
Serifen |
Serifenlose Linear-Antiqua |
Jonathan Hoefler, Tobias Frere-Jones |
1999 |
Hoefler & Frere-Jones
|
Rhapsodie |
 |
|
Gebrochene Schrift |
Ilse Schüle |
1951 |
Ludwig & Mayer
|
Rockwell |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Frank Hinman Piermont |
1934 |
Monotype Corporation
|
Rotis Semi Serif |
 |
Semi-Serif |
|
Otl Aicher |
1988 |
Monotype Corporation
|
Rumba |
 |
Serifen |
Antiqua-Variante |
Laura Meseguer |
2005 |
Type-Ø-Tones
|
Sabon |
 |
Serifen |
Französische Renaissance-Antiqua |
Jan Tschichold |
1967 |
D. Stempel
|
San Marco |
 |
|
Gebrochene Schrift |
Karlgeorg Hoefer, Alexei Chekulayev |
1991–97 |
Linotype
|
FF Scala |
 |
Serifen |
Französische Renaissance-Antiqua |
Martin Majoor |
1987–91 |
FontFont
|
FF Scala Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Martin Majoor |
1993–2003 |
FontFont
|
Segoe UI |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Steve Matteson |
2004 |
Microsoft
|
FF Seria |
 |
Serifen |
Französische Renaissance-Antiqua |
Martin Majoor |
2000 |
FontFont
|
ITC Serif Gothic |
— |
Serifen |
Antiqua-Variante |
Herb Lubalin, Tony DiSpigna |
1972 |
ATF
|
Sinaloa |
— |
|
|
Rosmarie Tissi |
1972 |
Letraset
|
Skia |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Matthew Carter |
1993 |
Apple
|
Skolar |
 |
Serifen |
Antiqua-Variante |
David Březina |
2009 |
TypeTogether
|
ITC Slimbach |
 |
Serifen |
Barock-Antiqua |
Robert Slimbach |
1987 |
ITC
|
ITC Souvenir |
 |
Serifen |
Antiqua-Variante |
Ed Benguiat |
1970 |
ITC
|
Stempel-Schneidler |
 |
Serifen |
Venezianische Renaissance-Antiqua |
Friedrich Hermann Ernst Schneidler |
1939 |
D. Stempel
|
Stencil |
 Majuskelschrift |
Serifen |
|
Robert Hunter Middleton, Gerry Powell |
1937 |
Ludlow-Gießmaschine, ATF
|
Stone Sans |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Sumner Stone |
1987 |
Adobe Type
|
Stone Serif |
 |
Serifen |
Französische Renaissance-Antiqua |
Sumner Stone |
1987 |
Adobe Type
|
Suisse Int’l |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Swiss Typefaces |
2011 |
Swiss Typefaces
|
Swift |
 |
Serifen |
Französische Renaissance-Antiqua |
Gerard Unger |
1987 |
Dr.-Ing Rudolf Hell GmbH
|
Syntax |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Hans Eduard Meier |
1968–72 |
D. Stempel
|
Syntax Letter |
— |
|
Handschriftliche Antiqua |
Hans Eduard Meier |
2000 |
Linotype
|
Tahoma |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Matthew Carter |
1995 |
Microsoft
|
Tannenberg |
 |
|
Gebrochene Schrift |
Erich Meyer |
1933–35 |
D. Stempel
|
Tekton |
 |
|
Handschriftliche Antiqua |
David Siegel |
1989 |
Adobe Type
|
Template Gothic |
 |
serifenlos |
Antiqua-Variante |
Barry Deck |
1990 |
Emigre
|
Tempo |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Robert Hunter Middleton |
1930 |
Ludlow-Gießmaschine
|
TheMix |
— |
Semi-Serif |
|
Lucas de Groot |
1994 |
LucasFonts
|
TheSans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Lucas de Groot |
1994 |
LucasFonts
|
TheSerif |
— |
Serifen |
Serifenbetonte Linear-Antiqua |
Lucas de Groot |
1994 |
LucasFonts
|
ITC Tiffany |
— |
Serifen |
Venezianische Renaissance-Antiqua |
Ed Benguiat |
1974 |
ITC
|
Tiempos |
— |
Serifen |
Barock-Antiqua |
Kris Sowersby |
2010 |
Klim Type Foundry
|
Time Script |
 |
|
Handschriftliche Antiqua |
Georg Trump |
1957 |
C. E. Weber
|
Times |
 |
Serifen |
Barock-Antiqua |
Stanley Morison, Victor Lardent |
1931 |
—
|
Times New Roman |
 |
Serifen |
Barock-Antiqua |
Stanley Morison, Victor Lardent |
1931 |
Monotype Corporation
|
Today Sans |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Volker Küster |
1988 |
Scangraphic
|
Trade Gothic |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Jackson Burke |
1948 |
Mergenthaler Linotype
|
Trajan |
 Majuskelschrift |
Serifen |
Antiqua-Variante |
Carol Twombly |
1989 |
Adobe Type
|
Trebuchet MS |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Vincent Connare |
1996 |
Microsoft
|
Trinité |
 |
Serifen |
Französische Renaissance-Antiqua |
Bram de Does |
1982 |
TEFF
|
Triplex |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Zuzana Licko |
1989 |
Emigre
|
FF Trixie |
— |
Serifen |
|
Erik van Blokland |
1991–2008 |
FontFont
|
Ubuntu |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Dalton Maag |
2010 |
Canonical
|
Unciala |
 |
|
|
Ralph M. Unger |
2005 |
URW Type Foundry
|
FF Unit Slab |
 |
Serifen |
Serifenbetonte Linear-Antiqua |
Christian Schwartz, Erik Spiekermann, Kris Sowerby |
2009 |
FontFont
|
Univers |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Adrian Frutiger |
1950–56 |
Deberny & Peignot
|
VAG Rundschrift |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Gerry Barney |
1979 |
Volkswagen AG
|
Vectora |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Adrian Frutiger |
1990 |
Linotype
|
ITC Veljovic |
 |
Serifen |
Venezianische Renaissance-Antiqua |
Jovica Veljović |
1984 |
ITC
|
Venus |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Bauersche Gießerei |
1907 |
Bauersche Gießerei
|
Vera Sans |
 |
serifenlos |
Serifenlose Linear-Antiqua |
Jim Lyles |
2003 |
Bitstream
|
Vera Sans Mono |
 Nichtproportionale Schriftart |
serifenlos |
|
Jim Lyles |
2003 |
Bitstream
|
Vera Serif |
 |
Serifen |
Antiqua-Variante |
Jim Lyles |
2003 |
Bitstream
|
Verdana |
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serifenlos |
Serifenlose Linear-Antiqua |
Matthew Carter |
1996 |
Microsoft
|
Versailles |
— |
Serifen |
Barock-Antiqua |
Adrian Frutiger |
1984 |
Linotype
|
Victorian |
— |
Serifen |
Antiqua-Variante |
Freda Sack, Colin Brignall |
1976 |
Letraset
|
Walbaum |
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Serifen |
Klassizistische Antiqua |
Justus Erich Walbaum |
1800 |
—
|
GT Walsheim |
— |
serifenlos |
Serifenlose Linear-Antiqua |
Noël Leu, Mirco Schiavone |
2009 |
Grilli Type
|
ITC Weidemann |
— |
Serifen |
Venezianische Renaissance-Antiqua |
Kurt Weidemann |
1983 |
ITC
|
Wiesbaden Swing |
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|
Handschriftliche Antiqua |
Rosemarie Kloos-Rau |
1992 |
Linotype
|
Wilhelm Klingspor Gotisch |
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|
Gebrochene Schrift |
Rudolf Koch |
1925 |
Gebr. Klingspor
|
William |
— |
Serifen |
Barock-Antiqua |
Maria Doreuli |
2016 |
Typotheque
|
Windsor |
— |
Serifen |
Antiqua-Variante |
Eleisha Pechey |
1905 |
Stephenson Blake
|
Zapata |
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Serifen |
Serifenbetonte Linear-Antiqua |
Erik van Blokland |
1997 |
FontFont
|
ITC Zapf Chancery |
— |
|
Handschriftliche Antiqua |
Hermann Zapf |
1979 |
ITC
|
Zapfino |
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|
Schreibschrift |
Hermann Zapf |
1998 |
Linotype
|
Zentenar-Fraktur |
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|
Gebrochene Schrift |
Friedrich Hermann Ernst Schneidler |
1937 |
Bauersche Gießerei
|